SIGNS OF LIFE (David Gilmour, Bob Ezrin) • « A Momentary of Reason » (1987)

David Gilmour: Electric lead guitar, synthesizers, programming sequencer; Rick Wright: Kurzweil synthesizers; Nick Mason: voices; Bob Ezrin: Synthesizers, sequencer, sound effects; Jon Carin: Synthesizers.


One of the demos recorded by Gilmour alongside Comfortably Numb and Run like Hell just after the recording of his solo album (in February 1978). As the two others, this track was inducted to Bob Ezrin during « The Wall » sessions, but the producer turned it down because he was looking for a real song rather than an instrumental passage to fill the gaps in « The Wall » project. The basis for the track recorded in 1986 to open the album "A Momentary Lapse of Reason" is precisely this untouched demo!


David Gilmour:

« Part Two of 'Signs of Life' was actually done in 1977, I think. The guitar and the whistling answers was actually a demo that I did in '77 or '78. We had to replace the actual guitar, but the backing chords are from an ancient thing I did»

«The sun is eclipsed by the moon», Creem Magazine, February 1988.


David Gilmour:

« I had to re-record a lot of things, but the rhythm guitar chords in the background are from a demo from way back in ’78 »

«Careful with that axe», Guitar World, February 1993.


Guy Pratt:

« Out of the speakers came a big, lumbering groove with a rather lovely guitar figure on it».

«My bass and other animals», Guy Pratt, 2007


Gilmour

« (…) avec les nouveaux DAT portables, le son est de première qualité. C’est ce que nous avons utilisé pour l’équipe féminine d’aviron que l’on entend ur l’un des morceaux du disque»

« Pink Floyd - La money ou la passion ? », Keyboards, July 1988

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When the child-like view of the world went, nothing replaced it... Nothing replaced it… Nothing replaced it…

I do not like being asked to... I do not like being asked to... I do not like being asked to...

Other people replaced it... Someone who knows

LEARNING TO FLY (David Gilmour, Anthony Moore, Bob Ezrin, Jon Carin) in « A Momentary Lapse of Reason » (1987) & « Echoes - The best of Pink Floyd » (2000).

David Gilmour: vocals, vocal harmonies, electric rhythm and lead guitars, programming sequencer; Rick Wright: keyboards; Nick Mason: Vocals; Bob Ezrin: Percussion; 

Jon Carin: Keyboards; Tony Levin: bass guitar; Steve Forman: Percussion; Darlene Koldenhoven, Carmen Twillie, Phyllis St. James, Donny Gerrard: Backing vocals.


David Gilmour:

«This was right after Live Aid, to be exact... I got Jon round to my home studio... to do some stuff with me. I had to go down to the station to pick someone up. When I got back, he'd done this and so we pinched a bit of it. Simple» 

Cited in « The Amuzing Pudding », Issue 60


Jon Carin:

«I was invited to Dave’s house after Live Aid. When I arrived at his house, he brought me to the studio & excused himself to go run some errands or something, so I recorded a few songs I had in my head by myself while he was gone. One of them was Learning To Fly»

«Jon’s Carin post», Jon Carin Facebook Page, 9 September 2021


Nick Mason:

«The first demo that Dave gave me had the Learning to Fly idea (…) Learning to Fly actually started out more spiritually uplifting than it sounded when it was finished. I like it because every time I hear it, I hear my own voice doing this take-off » 

Cited in « The Amuzing Pudding », Issue 44.


David Gilmour:

« Learning to Fly, from the spiritual aspect of it, is about Pink Floyd taking to their wings again, as well as me taking to my wings again, and all sorts of things. And learning to fly, of course, physically. So there’s a number of levels to that»

«Interview with Karl Dallas», Karl Dallas Archive Website, May 1995

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Into the distance, a ribbon of black

Stretched to the point of no turning back

A flight of fancy on a windswept field

Standing alone, my senses reel

A fatal attraction is holding me fast

How can I escape this irresistible grasp?


[Chorus]

Can't keep my eyes from the circling sky

Tongue-tied and twisted

Just an earthbound misfit, I

Ice is forming on the tips of my wings

Unheeded warnings, I thought, I thought of everything

No navigator to find my way home

Unladen, empty and turned to stone


[Pre-Chorus]

A soul in tension that's learning to fly

Condition grounded, but determined to try


[Chorus]

Can't keep my eyes from the circling skies

Tongue-tied and twisted

Just an earthbound misfit, I

Above the planet on a wing and a prayer

My grubby halo, a vapor trail in the empty air

Across the clouds, I see my shadow fly

Out of the corner of my watering eye

A dream unthreatened by the morning light

Could blow this soul right through the roof of the night


[Pre-Chorus]

There's no sensation to compare with this

Suspended animation, a state of bliss


[Chorus]

Can't keep my mind from the circling skies

Tongue-tied and twisted

Just an earthbound misfit, I

THE DOGS OF WAR (David Gilmour, Anthony Moore) • « A Momentary Lapse of Reason » (1987)

David Gilmour: vocals, vocal harmonies, electric rhythm and lead guitars, programming sequencer; Carmine Appice: Drums, percussion; Billy Payne: Organ; Jon Carin: Keyboards; Tony Levin: bass guitar; Scott Page: Saxophone; Tom Scott: Saxophone; Darlene Koldenhoven, Carmen Twillie, Phyllis St. James, Donny Gerrard: Backing vocals.

David Gilmour:

« I had the idea and explained it to Anthony Moore and he came up with the first draft of words; we chopped and changed it over quite a long time until it wound up as it is »

Cited in « Pink Floyd: Through the Eyes of… the Band, Its Fans, Friends and Foes», Bruno MacDonald, 1997.


David Gilmour

« J'en avais composé la musique deux ans auparavant mais je n'ai écrit le texte, avec Anthony Moore, un peu de temps avant Noël ».                           

« Pink Floyd à Versailles », Pulsions, June 1988


Carmine Appice:

«I came home one day and there was a message on my machine from Bob Ezrin. He said, «Hey Carmine, I’m in the studio with Pink Floyd and there’s a track that’s just screaming for some Carmine fills». I called him back, I said, «Where’s Nick Mason ?» He said: «He’s here, but he’s a bit rusty and everybody wants a bit of a change, so they’re bringing in guest drummers». All I did was fill up a 24-track with drum parts and they edited it all together. So I went down and did it - it was pretty wild. Nick was there. I said, «Why aren't you playing ?» He said, «Well, I've been racing my cars, my callouses are soft …» Bob said they were just looking for a little different inspiration from the drumming.  All I did was fill up a 24-track with drum parts and they edited it all together. I didn't hear the whole drum part until the album came out. Every time I'd ask Bob, «What about it ?» he'd have one word «Daring»»

«Carmine Appice by Carl Wiser», Songfacts Website,


Nick Mason:

«I like ‘Dogs of War’ because it’s a great R&B track to play live »

Cited in «Pink Floyd: Through the Eyes of… the Band, Its Fans, Friends and Foes», Bruno MacDonald, 1997.

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Dogs of war and men of hate

With no cause, we don’t discriminate

Discovery is to be disowned

Our currency is flesh and bone

Hell opened up and put on sale

Gather round and haggle

For hard cash, we will lie and deceive

Even our Masters don’t know the webs we weave


One world, it’s a battleground

One world, and we will smash it down

One world… One world

Invisible transfers and long distance calls

Hollow laughter in marble halls

Steps have been taken, a silent uproar

Has unleashed the dogs of war

You can’t stop what has begun

Signed, sealed, they deliver oblivion

We all have our dark side to say the least

And dealing in death is the nature of the beast


One world, it’s a battleground

One world, and they're gonna smash it down

One world… One world

One world… One world

The dogs of war don’t negotiate

The dogs of war won’t capitulate

They will take and you will give

And you must die so that they may live

You can knock at any door

But wherever you go, you know they’ve been there before

Well winners can lose and things can get strained

But whatever you change, you know the dogs remain


One world, it’s a battleground

One world, and we're gonna smash it down

One world… One world

One world… One world

One world… One world

ONE SLIP (David Gilmour, Phil Manzanera) • « A Momentary Lapse of Reason » (1987)

David Gilmour: Lead vocals, vocal harmonies, electric rhythm and lead guitars, programming; Michael Landau: electric rhythm guitar; Tony Levin: Chapman Stick bass, bass guitar; Jon Carin: keyboards; Bob Ezrin: keyboards; Jim Keltner: drums; Darlene Koldenhoven, Carmen Twillie, Phyllis St. James, Donny Gerrard: backing vocals.



Nick Mason:

«In retrospect I rather regret that (I didn’t play drums), although it wasn’t the first time. There’s an early single on which the producer played the drums, for example. If we hadn’t got much time and I couldn’t play a part, somebody else did it instead. The thing is that on A Momentary Lapse Of Reason, too many things were played by other people. That was a mistake, but at the time David Gilmour had an awful lot on his plate. At least with Jim Keltner I chose one of the best drummers around»

«Rock stars have to show off because they’ve got weak egos», Galore Magazine, November 2005


David Gilmour

«Phil Manzanera's a friend of mine; most of the music for One Slip came from him. We spent a couple of days throwing ideas around and this was the one that fitted the album best. I personally get uncomfortable going out on choruses. I tend to avoid it. We didn't quite do it on One Slip, which was going that way. In the end we did a chorus then went out with an instrumental. To me, [the former] is so much the pop formula that I try to avoid it»

Cited in «The Amazing Pudding», issue 47.


Andy Jackson (Sound engineer, producer):

«The alarms on the front was me with the alarm system at the studio. Strangely enough I had a friend who worked in another studio and they had exactly the same alarm system. And he said, ‘Oh, God that sound! I can’t believe you used that!»

«Andy Jackson, Pink Floyd’s sound engineer, interviewed by Craig Bailey», December 2000

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A restless eye across a weary room

A glazed look, and I was on the road to ruin

The music played and played as we whirled without end

No hint, no word her honour to defend

“I will, I will” she sighed to my request

And then she tossed her mane while my resolve was put to the test

Then drowned in desire, our souls on fire

I led the way to the funeral pyre

And without a thought of the consequence

I gave in to my decadence


One slip, and down the hole we fall

It seems to take no time at all

A momentary lapse of reason

That binds a life for life

A small regret, you won’t forget

There’ll be no sleep in here tonight

Was it love or was it the idea of being in love?

Or was it the hand of fate, that seemed to fit just like a glove?

The moment slipped by and soon the seeds were sown

The year grew late and neither one wanted to remain alone


One slip, and down the hole we fall

It seems to take no time at all

A momentary lapse of reason

That binds a life to a life

One regret, you will never forget

There’ll be no sleep in here tonight



One slip… one slip…

ON THE TURNING AWAY (David Gilmour, Anthony Moore) • « A Momentary Lapse of Reason » (1987) ©  xxxx Lupus Music Co. Ltd.

David Gilmour: Lead vocals, electric guitars, acoustic guitars; Richard Wright: Hammond organ, harmonies vocals; Nick Mason: percussion; Jon Carin: synthesizer; Tony Levin: bass guitar; Jim Keltner: drums; Darlene Koldenhoven, Carmen Twillie, Phyllis St. James, Donny Gerrard: Backing vocals.

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David Gilmour:

« Turning Away’ is about the political situations in the world. We have these rather right-wing conservative governments that don’t seem to care about many things other than looking after themselves »

«Welcome to the new machine», Only Music, December 1987.

On the turning away

From the pale and downtrodden

And the words they say

Which we won’t understand

“Don’t accept that what’s happening

Is just a case of all the suffering

Or you’ll find that you’re joining in

The turning away

It’s a sin that somehow

Light is changing to shadow

And casting its shroud

Over all, we have known

Unaware how the ranks have grown

Driven on by a heart of stone

We could find that we’re all alone

In the dream of the proud

On the wings of the night

As the daytime is stirring

Where the speechless unite

In a silent accord

Using words you will find are strange

Mesmerized as they light the flame

Feel the new wind of change

On the wings of the night

On the wings of the night

As the daytime is stirring

Where the speechless unite

In a silent accord

Using words you will find are strange

Mesmerized as they light the flame

Feel the new wind of change

On the wings of the night

YET ANOTHER MOVIE (David Gilmour, Patrick Leonard) • « A Momentary Lapse of Reason » (1987) ©  xxxx Lupus Music Co. Ltd.

David Gilmour: Lead vocals, vocal harmonies, electric rhythm and lead guitars, sequencers; Nick Mason: drums; Pat Leonard: keyboards, programming; 

Tony Levin: bass guitar; Jim Keltner: drums; Steve Forman: percussion.


The stance « Visions of empty bed » will be the inspiration of the cover.



David Gilmour:

«Pat Leonard and I met up at Astoria in September 1986 a couple of days after I had played on a Bryan Ferry track that he was producing. We had a glass or two of wine and jammed for hours. For some reason that I can no longer remember I had chosen the fretless bass as my instrument of the day. It turned into a beautiful song»

« Pink Floyd - Yet Another Movie (Demo) », Pink Floyd Facebook page, 24 September 2021.


Nick Mason:

« (…) Nous avons choisi de l’enregistrer dans une salle immense, et nous avons joué ensemble, tous les trois, le percussionniste, Jim Keltner et moi. Là, nous frappons à l’unisson ».

« Seconde jeunesse pour le Floyd », Guitare & Claviers, September 1987.


David Gilmour

«It's hard to explain Yet Another Movie. It's a more surrealistic effort than anything I've attempted to do before. I've tended to stick within personal experience and reality very much; but I have a desire, without getting into fiction and little stories about other people (which I generally don't care for), to find a broader base to write things about - and that's an attempt to do that. I'm very fond of it, but I don't even know what all of it means myself!»

Cited in «The Amazing Pudding», Issue 53.


Nick Mason

«It's one of my favorites on the album, I think just because of the way it was recorded. It was an unforgettable occasion: this enormous studio with more drums than I've ever seen in my whole life. We had Jim Keltner's kit, my kit, Steve Forman the percussion player with all his stuff, and two of these people known as 'drum doctors' who are ultra-specialist drum people. They set the drums up, tune them and so on — bring you seven snare drums and say 'Which one do you think you would like to use for this?' Just the power and the sound of all that air being moved by these drums... real 'drum city' in there that day! In the past, we've used musicians other than the group, even if they haven't always been credited: it doesn't mean that I'm not playing on all the tracks. On Yet Another Movie, all three of us played together — the percussionist, Jim Keltner and me. We drummed in unison but, at other times, I kept the rhythm whilst the others played fills. It's a different approach which benefits the music»

Cited in «The Amazing Pudding», Issue 53.

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One sound, one single sound

One kiss, one single kiss

A face outside the window pane

However did it come to this?

A man who ran: a child who cried

A girl who heard, a voice that lied

The sun that burned a fiery red

The vision of an empty bed

The use of force, he was so tough

She’ll soon submit, she’s had enough

The march of fate, the broken will

Someone is lying very still

He has laughed and he has cried

He has fought and he has died

He’s just the same as all the rest

He’s not the worst, and he’s not the best

And still, this ceaseless murmuring

The babbling that I brook

The seas of faces, eyes upraised

The empty screen, the vacant look

A man in black on a snow white horse

A pointless life has run its course

The red rimmed eyes, the tears still run

As he fades into the setting sun

ROUND AND AROUND (David Gilmour) • « A Momentary of Reason » (1987)

David Gilmour: Guitars, programming; Jon Carin: Keyboards; Bob Ezrin: programming.


This instrumental wasn’t published as separate tracks before 2011 re-release.

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A NEW MACHINE (PART 1) (David Gilmour) in « A Momentary of Reason » (1987) | Produced by David Gilmour & Bob Ezrin.

David Gilmour: Vocals, vocoder, synthesizers, programming; Pat Leonard: synthesizers; Bob Ezrin: synthesizers.

David Gilmour:

«A New Machine has a sound I've never heard anyone do. The noise gates, the Vocoders, opened up something new which to me seemed like a wonderful sound effect that no one had done before; it's innovation of a sort»

«Careful with that axe», Musician, August 1992.

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I have always been here

I have always looked out from behind these eyes

It feels like more than a lifetime

Feels like more than a lifetime

Sometimes I get tired of the waiting

Sometimes I get tired of being in here

Is this the way that it's always been?

Could it ever have been different?

Do you ever get tired of the waiting?

Do you ever get tired of being in there?

Don't worry, nobody lives forever

Nobody lives forever

TERMINAL FROST (David Gilmour) • « A Momentary Lapse of Reason » (1987)  | Produced by David Gilmour & Bob Ezrin.  

David Gilmour: guitars; Rick Wright: piano, Hammond organ, Kurzweil synthesizer; Nick Mason: Drum machine, toms, sound effects; Bob Ezrin: Keyboards, percussion; Jon Carin: Keyboards, synthesizer; Tony Levin: bass guitar; John Helliwell: saxophone; Tom Scott: saxophone; Darlene Koldenhaven: backing vocals; Carmen Twillie: backing vocals; Phyllis St. James: backing vocals; Donny Gerrard: backing vocals.

David Gilmour:

« Terminal Frost and A new machine are both things that I had lying around pretty well complete for some time - at least, I think, a couple of years. Terminal Frost is very similar to what it was as a demo. Bit there was a long period of time where I thought I might get words for it and turn it into a song. In the end I decided for itself that it would remain the way it was »

Cited in « Amazing Pudding», Issue 52.

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A NEW MACHINE (PART 2) (David Gilmour) in « A Momentary of Reason » (1987) | Produced by David Gilmour & Bob Ezrin.

David Gilmour: Vocals, vocoder, synthesizers, programming.

Bob Ezrin:

«We actually hired a 24- track truck and a huge P.A. system and brought them inside the L.A. Sports Arena. We had the whole venue to ourselves, and we piped Dave’s guitar tracks out into the sports arena and re-recorded them in 3D. So the tracks that originally came from a teeny little Gallien-Krueger and a teeny little Fender, but piped through this enormous P.A. out into a sports arena, sound like the Guitar From Hell»

«Wall of Sound», Guitar World, February 1993.


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I will always be here

I will always look out from behind these eyes

It’s only a lifetime

It’s only a lifetime

It’s only a lifetime

SORROW (David Gilmour) • « A Momentary of Reason » (1987)

David Gilmour: vocals, vocal harmonies, electric rhythm and lead guitars, keyboards, programming, drum machine; Rick Wright: Hammond B3 organ; Jon Carin: Keyboards; Tony Levin: bass guitar; Bob Ezrin: keyboards; Darlene Koldenhoven, Carmen Twillie, Phyllis St. James, Donny Gerrard: backing vocals.


David Gilmour:

« Sorrow was a poem I’d written as a lyric before I wrote music to it, which is rare for me. The river’s a very, very common theme; rivers are a very symbolic, attractive way of expressing all sorts of things.. Sorrow was done on the boat, my guitar going through a little Gallien-Krueger amp »

«Blue mood still shadows Pink Floyd breakup », The Akron Beacon Journal (from Musical Magazine), 14 September 1992


Jon Carin:

«On Sorrow, I’d do all of the keys except B3»

«Jon Carin Page», Facebook, December 2019


Guy Pratt:

«Everything about this song is absolutely fucking enormous»

«My bass and other animals», Guy Pratt, 2007

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The sweet smell of a great sorrow lies over the land

Plumes of smoke rise and merge into the leaden sky

A man lies and dreams of green fields and rivers

But awakes to a morning with no reason for waking

He’s haunted by the memory of a lost paradise

In his youth or a dream, he can’t be precise

He’s chained forever to a world that’s departed

It’s not enough, it’s not enough

His blood has frozen and curdled with fright

His knees have trembled and given way in the night

His hand has weakened at the moment of truth

His step has faltered


One world, one soul

Time pass, the river roll


(It's not enough, it's not enough)

And he talks to the river of lost love and dedication

And silent replies that swirl invitation

Flow dark and troubled to an oily sea

A grim intimation of what is to be

There’s an unceasing wind that blows through this night

And there’s dust in my eyes, that blinds my sight

And silence that speaks so much louder than words

Of promises broken