PIGS ON THE WINGS (PART 1) (Roger Waters) in « Animals » (1977) | Produced by Pink Floyd.

Roger Waters: vocals, acoustic guitar.

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If you didn’t care what happened to me

And I didn’t care for you

We would zig zag our way through the boredom and pain

Occasionally glancing up through the rain

Wondering which of the buggers to blame

And watching for pigs on the wing

DOGS (David Gilmour, Roger Waters) in « Animals » (1977) | Produced by Pink Floyd

David Gilmour: vocals, vocal harmonies, acoustic guitars, electric rhythm and lead guitars; Rick Wright: keyboards; Roger Waters: vocals, vocal harmonies, bass; Nick Mason: drums.


This track was considered for the 2000 compilation «Echoes - The best of Pink Floyd» but was eventually rejected.

Roger Waters :

« My son's favorite song in the repertoire is "Dogs." He's 22. It's long, it's 17 minutes, but there is something very direct about the attack on consumerism in that song, which still feels OK. It's a little bit high school revolutionary, but it's a little bit like "Breathe breathe in the air, don't be afraid to care." [Makes retching noise] Pass me the bucket. But then again, that's truth, it's OK sometimes to be that naive and direct about feelings. In fact, it's essential. ».

« Roger Waters: The Man Behind Pink Floyd's The Wall », CDNow Website, May 1999.


David Gilmour :

«I basically wrote all the chords— the main music part of it. And we wrote some other bits together at the end (…) I did one or two very nice, slightly different, guitars solos on in that I was quite pleased with»

« Careful with that Axe », Guitar World, February 1993.


Roger Waters :

«That round at the end of “Dogs” is very powerful and quite chilling. “Dragged down by the stone” is the last line of it. “He was told what to do by the man...” It’s a bitter recrimination against authoritarianism and against what I perceived when I was growing up as the misappropriation of an education system. Where they tried to regiment us and tell us what to do and exert their authority over us, rather than give each of us a chance to flower in whatever way might be the best. Which is what education obviously should be»

« The protest singer », Uncut, January 2016.

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You got to be crazy, you gotta have a real need

You gotta sleep on your toes and when you're on the street

You got to be able to pick out the easy meat with your eyes closed

And then moving in silently, down wind and out of sight

You gotta strike when the moment is right without thinking

And after a while, you can work on points for style

Like the club tie, and the firm handshake

A certain look in the eye and an easy smile

You have to be trusted by the people that you lie to

So that when they turn their backs on you

You'll get the chance to put the knife in


You gotta keep one eye looking over your shoulder

You know, it's going to get harder, and harder, and harder

As you get older

Yeah, and in the end you'll pack up and fly down south

Hide your head in the sand

Just another sad old man

All alone and dying of cancer

And when you lose control, you'll reap the harvest you have sown

And as the fear grows, the bad blood slows and turns to stone

And it's too late to lose the weight you used to need to throw around

So have a good drown, as you go down all alone

Dragged down by the stone … stone … stone …


Gotta admit that I'm a little bit confused

Sometimes it seems to me as if I'm just being used

Gotta stay awake, gotta try and shake off this creeping malaise

If I don't stand my own ground, how can I find my way out of this maze

Deaf, dumb and blind, you just keep on pretending

That everyone's expendable, and no one has a real friend

And it seems to you the thing to do would be to isolate the winner

Everything's done under the sun

But you believe at heart everyone's a killer

Who was born in a house full of pain

Who was trained not to spit in the fan

Who was told what to do by the man

Who was broken by trained personnel

Who was fitted with collar and chain

Who was given a pat on the back

Who was breaking away from the pack

Who was only a stranger at home

Who was ground down in the end

Who was found dead on the phone

Who was dragged down by the stone

Who was dragged down by the stone

SHEEP (Roger Waters) in « Animals » (1977) | Produced by Pink Floyd © 1977 Pink Floyd Music Publishers Ltd.

David Gilmour: rhythm and lead guitars, bass, ARP Quadra synthesizer; Rick Wright: Electric piano, Hammond organ, ARP strings synthesizers, Minimoog; Roger Waters: vocals, rhythm guitar; Nick Mason: Drums.


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Harmlessly passing your time in the grassland away

Only dimly aware of a certain unease in the air

You better watch out

There may be dogs about

I've looked over Jordan, and I have seen

Things are not what they seem


What do you get for pretending the danger's not real

Meek and obedient you follow the leader

Down well trodden corridors into the valley of steel

What a surprise!

A look of terminal shock in your eyes

Now things are really what they seem

No, this is no bad dream

«The Lord is my shepherd, I shall not want

He makes me down to lie

Through pastures green He leadeth me the silent waters by

With bright knives He releaseth my soul

He maketh me to hang on hooks in high places

He converteth me to lamb cutlets

For lo, He hath great power, and great hunger

When cometh the day we lowly ones

Through quiet reflection, and great dedication

Master the art of karate

Lo, we shall rise up

And then we'll make the bugger's eyes water»

Bleating and babbling we fell on his neck with a scream

Wave upon wave of demented avengers

March cheerfully out of obscurity into the dream

Have you heard the news?

The dogs are dead!

You better stay home

And do as you're told

Get out of the road if you want to grow old

PIGS (THREE DIFFERENTS ONES) (Roger Waters) in « Animals » (1977) | Produced by Pink Floyd. © 1977 Roger Waters Overseas Ltd & Pink Floyd Music Publishers Ltd.

David Gilmour: electric rhythm and lead guitars, bass guitar, Heil Sound Talk Box; Rick Wright: Hammond organ, ARP Solina, Grand piano, clavinet; Roger Waters: vocals, vocal harmonies, VCS3; Nick Mason: drums, cowbell.


Roger Waters:

«In “Pigs”, there’s that verse about Mary Whitehouse. We were all incensed about this woman trying to tell us about our morals and trying to censor art. She wanted to censor all culture, which was incredibly irritating»

«The protest singer», Uncut, January 2016

Letter from M.Whitehouse sent to BBC chairman on August, 21th 1972

David Gilmour:

« Animals started with those two numbers which we wrote. Roger had another song which had a different title but it was about pigs. And having written ‘Pigs’ he then looked again at the songs ‘Raving and Drooling’ and ‘You Gotta Be Crazy’ and realised how close they were to an animals concept.... And then, having already recorded most of ‘Dogs’... and most of ‘Raving and Drooling’, changed the lyrics slightly here and there and tailored it in more. We then did some extra bits and effects and stuff to change it all into that concept»

« Innerview radio show - radio interview by Jim Ladd », June 1978

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Big man, pig man

Ha ha charade you are

You well heeled big wheel

Ha ha charade you are

And when your hand is on your heart

You’re nearly a good laugh

Almost a joker

With your head down in the pig bin

Saying “Keep on digging”

Pig stain on your fat chin

What do you hope to find

Down in the pig mine?


You’re nearly a laugh

You’re nearly a laugh

But you’re really a cry

Bus stop rat bag

Ha ha charade you are

You fucked up old hag

Ha ha charade you are

You radiate cold shafts of broken glass

You’re nearly a good laugh

Almost worth a quick grin

You like the feel of steel

You’re hot stuff with a hatpin

And good fun with a hand gun

 

You’re nearly a laugh

You’re nearly a laugh

But you’re really a cry

Hey you, Whitehouse

Ha ha charade you are

You house proud town mouse

Ha ha charade you are

You’re trying to keep our feelings off the street

You’re nearly a real treat

All tight lips and cold feet

And do you feel abused?

You gotta stem the evil tide

And keep it all on the inside


[Refrain]

Mary you’re nearly a treat

Mary you’re nearly a treat

But you’re really a cry

PIGS ON THE WINGS (PART 2) (Roger Waters) in « Animals » (1977) | Produced by Pink Floyd © 1977 Roger Waters Overseas Ltd.

Roger Waters: vocals, acoustic guitar.

Roger Waters:

«The final verse, «Any fools knows, a dog needs a home, a shelter from pigs on the wing …» is a nod towards the idea of safety and succor in the arms of a loved one. It’s the idea that we’re not alone, that we have a responsibility to one another in the global society»

«Fantastic Beasts», Mojo Special Edition, 2020

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You know that I care what happens to you

And I know that you care for me too

So I don’t feel alone

Or the weight of the stone

Now that I’ve found somewhere safe

To bury my bones

And any fool knows a dog needs a home

A shelter from pigs on the wing