THE 25 MOST IMPORTANT GIGS

All the pictures shown on this page are identified with the correct date when 

the informations are available. All the credits are given to the original owner. 

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2 January 1971 « Volumes », Studios des Buttes Chaumonts, ORTF TV, Paris, France

First broadcast of the show dedicated to Roland Petit recorded on December, 5th 1970. Pink Floyd is invited by the choreographer and his daughter. A track close to Corrosion is improvised by the band in the studio. Present on the box set «Pink Floyd - The early years 1965-1972»

Capture form the official Boxset
Capture form the official Boxset

25 February 1971 « Aspekt », Grosser Saal, Musikhalle, Hamburg, Germany

ZDF TV has broadcasted some short extracts of the 25 February concert in the « Aspekt» show.

26 February 1971 « Aspekt »,  Stadthalle, Offenbach, Germany

Broadcast of the extracts of the concert of the 26 in the magazine « Aspekt » on the ZDF. Released on March 7th. Present on the box « Pink Floyd - The early years 1965-1972»

08.04.1971 « 24 Hours - Bootleg Recording », BBC1, London, England

The band is interviewed about the bootlegs marked on 30 March in the Air Studios of London (thanks Glenn for the info!).The band listen Atom Heart Mother from the the bootleg called «Pinky» recorded on 12 March 1970 at Hamburg. Then ,we  see the Floyd rehearsal the track Echoes. The band is strangely silent, leaving only Steve to speak. Some observers thought the band was "stoned". John Leckie, the sound engineer, who was present at the recording, pointed to the role of alcohol.

John Leckie (sound engineer):

« They never got stoned, It was all booze, really. Brandies and Southern Comfort and tequilas were the big thing. You’d never get a joint going or anything »

« Reflected Glory », Mojo, March 2022.

The corpus deli

15 May 1971 « Crystal Palace Garden Party », Crystal palace, London, England

A famous collector owns a pro-shot tape (in B&W). The Mason’s film, « Life could be a dream », shows some extracts of the performance, of the backstage and some candid shots too.

27 May 1971 « Volumes », ORTF, Paris, France

An extract of a Floyd’s concert is broadcasted in this program dedicated to the difference between a sound and noise. The content is not known.

15 June 1971 « Cinq Grand sur la Deux », Abbaye de Royaumont, Royaumont, France
Tv recording of the Royaumont gig as part of program « Cinq Grand Sur La Deux », 12 July 1971. Rebroadcasted (partially) in 1994 for the coming of the band in Chantilly, 1994 .

19 June 1971 Palazzo delle Manifestazioni Artistiche, Brescia, Italia

Pasquale Perulli  shot on a 8mm tape some sequences before the show (we can see Roger Waters take a look the Italian Rock magazine  «Ciao 2001») and during the gig: Set the controls … or One of these days. 

19 June 1971 « Jens Baggesen i Electric Ladyland », TV2, Odense, Danemark

An obscur documentary featuring music of Hendrix and Pink Floyd and who was apparently never re-boradcasted.

21 June 1971 « Unsere Kleine Show », ZDF2 TV, Berlin, Allemagne

Some rumors state some pictures from the band playing Interstellar Overdrive were broadcasted at this date. Could it be the mysterious  1967 TV show called « Test : Pop Color Mix » ?

24 June 1971 « Get to Know», ABC TV, Sydney, Australia

An interview of Stan Beidecke and Lindsay Burke (Floyd’s promoters) for the future band’s shows in Australia.

26 June 971 « Free Concert », Amsterdamse Bos, Amsterdam, Netherlands

1st July 1971 Musicforum Osiachersee Festival, Ossiach, Austria

The second footage came from a German TV in programm  « Ossiacher Musikforum - Diskussion mit musikalischen Beispielen » .

Source  :  «  Ossiach Festival Stitschoff Austria - Pro-Shot MOB Edit  » .

Source :  «  Ossiacher Musikforum - Diskussion mit musikalischen Beispielen » .

August 1971 « Pink Floyd's Home Movies »

Many pictures of this era shows the band take some shots for the japan tour. However, Nick Mason has said they have lost all footage in a recent interview (November 2014).

Nick Mason :

« The biggest problem with early [visual] material is that there was relatively little good quality material around, because we weren’t important enough to have a lot of news footage. The Beatles, although it was early days, had quite a lot of great movie footage. We didn’t. What we tended to have was us going to Japan, buying Super 8 cameras and filming each other. Which was pretty weak filmmaking, I can tell you. And contains, of course, no sound whatsoever. Although, by looking at it, it looks as though we believed if you shout loudly enough it will imprint itself on the film. We always seem to be talking to the camera hopelessly. »

August 1971 « Scott and Watts » Home Movie

The Pink Floyd’s crew (maybe the members of the Floyd itself) took some 8mm sequences of their roadies with the help of a Japanese crew. This short roll was recently rediscovered on 2020. It was included in the Japanese « Atom Heart Mother » boxset published on June 2021.

1st August 1971 Tōkyō kokusai Airport, Tokyo, Japan
The arrival of the group in Japan was considered as an event by the TV channels, several cameras covered the arrival at the airport which measured their popularity.

1st August 1971 « Press conference », Tōkyō kokusai Airport, Tokyo, Japan

Nick Mason:

« Of all the overseas tours, our first visit to Japan in August 1971 was a particular success. The record company organised a press conference (something which we generally hate) and presented us with our first gold records. Although these were completely bogus, as they had not been earned through sales, we nonetheless appreciated the gesture »

«Inside out -a personal history of Pink Floyd», Nick Mason, 2005

7 August 1971 « Hakone Aphrodite Festival », Hakone, Kanagawa, Japan

The set-up of the equipment was largely covered by the Japanese television

7 August 1971 « Hakone Aphrodite Festival », Hakone, Kanagawa, Japan

Source: « Early Years Boxset » .

Source: « Atom Heart Mother Japanese Boxset » .


An extract from the 6 or 7 was filmed by a local TV station. We can see the band playing Atom Heart Mother with some glimpse of the Floyd arriving at Japan Airport. Even the best copies are ruined by VHS noise. Filmed from in front of the stage and overdubbed by various versions of Atom Heart Mother depending on how zealous that particular video creator happens to be. Not that interesting as footage goes.

On 2020, the original footages were rediscovered in a good condition and be featured in a special Japanese edition of « Atom Heart Mother » along some candids shots of the set-up with the Floyd’s roadies. A upgraded version of this footage has been published in a Japanese special version of « Atom Heart Mother » on 2021.

The original super 8 tapes


13 August 1971 Festival Hall, Melbourne, Australia

Given the media coverage of the group's arrival (at that time the English groups began exploring the southern hemisphere and Japan, which created the event each time), some state the Melbourne concert was filmed. Unfortunately, this is untrue.

15 August 1971 Randwick RaceCourse, Sydney, Australia
A Black&White footage of Careful with that Axe overdubbed with the « Ummagumma » version. No known bootleg of the gig to re-synch with the correct audio. A better source was recently unearthed. A Set the Controls ... promo showing girls on beach was shot.

Billboard, 24 July 1971.

15 August 1971 « Get to Know », ABC TV, Sydney, Australia

An interview with the members of the band for the TV show «Get to Know» by Jeune Pritchard

7-10 octobre 1971 «Pompeii Home movies», Pompeii Arena, Pompeii, Italia

In the Mason's movie called « Life could be a Dream », home movies from the filming of the « Live at Pompeii » are shown. Nick Mason is seen enjoying himself behind one of the huge movie cameras as it is raised up in the air on a crane.

Interviewer: «Any chance of a release for Life could be a dream, a film you made in 1986 featured unused footage from Pompeii ?»

Nick Mason: «There's nothing unseen in it. It was a 25-minute doc made about me, primarily with Tothmans money, because it was about motor racing»

«An audience with Nick Mason», Uncut Magazine, October 2018

Photography by Jacques BOUMENDIL.

Photography by Jacques BOUMENDIL.

7-10 octobre 1971 « Pompeii Outtakes », Pompeii Arena, Pompeii, Italia

There is no chance of finding other outtakes (notably some sequences showing the band wandering in Paris in December) since  these outtakes were destroyed by the « Archives du film du bois d’Arcy » (M.Schmidt) vaults.

Adrian Maben:

« While searching in the French and English film laboratories for the unused negative we learnt of a disaster. On the initiative of the French Production Company, MHF Productions, the 548 cans of 35mm negative and prints of the rushes had been stored at the Archives du Film du Bois d’Arcy outside Paris. One of the employees, a certain Monsieur Schmidt, "le Conservateur," unfortunately decided that he wanted to make extra storage space on his shelves for more recent films and that the Floyd footage was without interest or value. The 548 cans of negative and the prints of the Pink Floyd unused rushes and outtakes were incinerated. INCINERATED! »

« Exclusive interview with Adrian Maben, 2003, », Brain Damage Website

7 November 1971 « One man’s week », BBC2 TV, London, England

An episode dedicated to Ron Geesin with a focus on his work on Atom Heart Mother. Broadcasted at 11:20 pm

16 November 1971 Lisner Auditorium, Washington, USA

A well-informed source state that some part of this show were videotaped on a Sony open reel video recorder, by a man who operated to the lightings. The excellent audio recording which circulates is apparently from the same person (directly from the video reels, or a sync recording?).

4 December 1971 « Impressies »,  Duitsland 3, Amsterdam, Netherlands

Aucune information sur cette émission. No more details for this TV show.

13-20 December 1971 Studios Europasonor, Boulogne, France

The rushes of the additional sequences for the « Live at Pompeii » are unfortunately incinerated with the others sequences filmed in Italy (see above). According to Andy Mabett, one of these sequences shown a visit of Paris by the members of the band (see « The Amazing Pudding » # 3).

Adrian Maben:

«While searching in the French and English film laboratories for the unused negative we learnt of a disaster. On the initiative of the French Production Company, MHF Productions, the 548 cans of 35mm negative and prints of the rushes had been stored at the Archives du Film du Bois d’Arcy outside Paris. One of the employees, a certain Monsieur Schmidt, "le Conservateur," unfortunately decided that he wanted to make extra storage space on his shelves for more recent films and that the Floyd footage was without interest or value. The 548 cans of negative and the prints of the Pink Floyd unused rushes and outtakes were incinerated. INCINERATED!»

«In-depth analysis - part FOUR and interview with Adrian Maben», Brain Damage Website, 2003.

13-20 December 1971 « Le Festin des Huîtres », Europa Sonore Studios, Boulogne, France


Adrian Maben has found some outtakes in the cans stored in his bathroom. From these rushes, he made a new documentary called « chit-chat with oysters » screened to La Cinémathèque de Paris and in Canada.

Adrian Maben :

«In December 1971, Pink Floyd met at the small Europa Sonore studio in Paris to work on the multi track mix of «Live in Pompeii» previously recorded by Charles B. Raucher. Sound effects were added to the original tapes. David Gilmour and Richard Wright overdubbed their voices for Echoes, part I and II. Roger Waters and Nick Mason remained in the control room. In the middle of the day, the roadie Chris Adamson was sent to buy a few dozen oysters and beers at the nearby Brasserie Lorraine. During an improvised lunch the four members of the band answered questions about their music and the schemes they had devised to avoid infighting. They poked fun at the director and at themselves. Their hilarious, off-the-cuff, chit chat was unique because in those days the Floyd rarely talked about themselves to the media. This 16mm black and white film is an authentic portrait of the group as they were a few months before the release of the first version of Live at Pompeii. It’s a miracle that the recently rediscovered rushes are still undamaged. They have never been seen before with the exception of a ten minute sequence previously used for The Director’s Cut. The images were restored and edited with the help and support of the Cinémathèque française »

26 Decmber 1971 « Beat Club »,  Radio Bremen TV Studios, Bremen, Germany

No more details on this TV show which seems strange because the group is not knew to have participated to this show.

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