THE 25 MOST IMPORTANT GIGS

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Early 1967 « Pink Floyd versus I.T »
In 1967 film-maker and writer Stacy Marking shot some 16mm film of the band titled «  Pink Floyd versus IT ». The only copy of the silent footage, which Marking admits was much influenced by the work of Dick Lester with the Beatles' films «Hard Day's Night» and «Help!», was thought to have gone up in flames in a fire of her studio in 1973. But the Markings have just heard that the film was described in a 1968 copy of the underground paper International Times after it played at a film festival in Manilla.

«It really involved a lot of them running about in single file, sometimes in silhouette, and the Floyd as good guys taking on some unseen monster/enemy, being chased or fighting back (...) This was one of the very first films to be tied to a record release. I suppose we thought it would be projected at clubs. The four wore black or at least very dark clothes, and we painted a whole street white. Most of it was filmed in an alley behind Tottenham Court Road where there was a long wall on one side, and I think a derelict site on the other. I wanted it painted white to exaggerate the contrast, so we all – including the Floyd members I think, anyway one or two of them, plus their agent Peter Jenner, Spike Hawkins and me - came along the day before with huge cans of white paint and we whitewashed the whole alley, pavement as well. When challenged by passersby we said it was part of the Keep Britain Clean campaign. Of course, with the subsequent tragedy of Syd Barrett, the film would have become a wonderful record of him in full flower and it terribly grieves me that that is gone."  Get in touch if you have seen it  »

«Art beat: From Bruiser to the Brontë sisters», The Guardian, 11 September 2009

Early 1967 « Test : Pop Color Mix », ZDF TV, Germany

The band would have played Interstellar overdrive without audience. It was made as test for ZDF color TV transmission capabilities. It was shown only once, early in the morning. Most likely, it was only an unfounded rumor.

January 1967 UFO Club, London, England
Jack Henry Moore would own a 50 minutes-tape with the Floyd playing at UFO club. He would had an other tape who lasted 20 minutes. The death of Moore in Paris will maybe allowing a release of this tape if it ever exist! The fund called « Videoheads » has promised several years to publish the work of Moore. The caretaker of his archive hasn't been able to find in his archive anything related to Floyd earlier than 1969. In fact, Jack Moore got his filming equipment by the Lennons around November-December 1968! It’s possible that this rumor  come from an article in «Record Collector» (by Mark Paytress) who said Joe Boyd owned this footage from UFO. Joe Boyd had denied this state since.

Joe Boyd :

« Sorry. No footage. A few teams came to UFO, but I don’t know who was playing when they were there »

« A Syd Barrett Film-Ography», Late Night Magazine, Issue 2

13 January 1967 Sound Technique Studios, London, England
Filmed by Peter Whitehead. Originally released as «Pink Floyd London 1966 ». On the boxset « Pink Floyd - The early years 1965-1972».

Source: « Early Years » - Nick’s Boogie 16 mm film rushes

Interviewer: « Vous souvenez-vous de cette version très longue (de Interstellar Overdrive) pour votre premier film ? »

David Gilmour: «Je n’ai jamais vu ce film. C’était avant que j’arrive, en 67. Demandez à Nick, il doit savoir»

Nick Mason:«Je ne sais pas, je n’arrive pas à m’en souvenir».

David Gilmour :«N’était-ce pas une version live (…) ?»

Nick Mason: « Non, ca c’était «San Francisco»»

« Radio Libre à Pink Floyd», Europe 1, First May 1982

16 January 1967 Institute of Contemporary Art, London, England
Filmed by Peter Whitehead, some extracts can be seen in his film « London 1966-67 ». It is difficult to distinguish between the footage taken at the UFO club three days earlier and that recorded at the Institute. It seems that Peter Whitehead had great difficulty in obtaining satisfactory material given the darkness. This is no doubt why he repeated the same shots many times and slowed down certain scenes to produce a consistent tape. The dates relating to each frame have been determined thanks to the work of Hallucination's Floyd specialist

Source : «  Tonight, let's all make love in London  »

Source: « London 1966-1967 ».

Source : «  Tonight, let's all make love in London  »

« Melody Maker », 28 January 1967

29 January 1967 UFO Club, London, England

A Granada Television documentary on the London counter-culture scene named « It’s So Far Out It’s Straight Down », includes live footage of Pink Floyd playing Interstellar Overdrive.

Source: bootleg (2022 version)

Tim Riley (Music critic):

« (This TV show) punctuate an era as psychedelic pop culture took shape »

« Lennon: The Man, the Myth, the Music – The Definitive Life », Tim Riley, 2011

17 January 1967 Institute of Contemporary Art, London, England
See above

24 February 1967 UFO Club, London, England

This TV show, « Die Jungen Nachtwandler - London Unter 21 », offers a well-know extract from the Floyd at UFO. Hallucalation source says February 24th. Date was established by G. Povey since his work on the Who book « Anyway, Anyhow, Anywhere». A better and longer source was used on the bootleg DVD « Wondering and Dreaming ». On the boxset « Early Years ».

Source: « Wondering and dreaming »

A tape of almost 30 minutes showing additional footage of the Floyd playing live at the club exists in the archives. These unreleased  images appear in the 2024 documentary devoted to the pope of the Anglian underground movement, John Hopkins: « Hoppy - Underground head »

March 1967 UFO Club, London, England
Found in Anthony Stern's archives on April 2014, this film shows the band playing at UFO in January (alternating film and still images). It includes previously unseen footage from 13 January 1967, as well as Syd, Roger and Nick filmed backstage, and is included in a new 80 minutes film entitled « Get all from that Ant ? », which will also show a number of extracts from the psychedelic London of those years, as well as excerpts from a Stones concert. Note that an extract from this film was broadcast on 26 September 2016 in a programme devoted to Keith Richards on BBC4.

Source : « Get all from that Ant ? »
Source : « Get all from that Ant ? »

Source: « Get all that, Ant ? »

Sophia Satchell-Baeza: « How did your new film « Get All That Ant? » come about? »

Anthony Stern: « I was given a Steenbeck machine, and I started to look at these cans of film which I’ve had in my cellar for years and years. We started probing down there and found some amazing bits of footage and also about 7,500 still images, black and white pictures, that were shot in the 1960s (between 1962 to 1970). And that’s the basis of the film, really. They’ve all been scanned by Pinewood Studios, and there’s going to be a book and a film.

The film is black-and-white and (…) It starts as the pop music scene, and then [moves to] the fashion scene (…) The film starts off in Cambridge and then moves on through different places. It’s a “day in the life” if you like. Lots of abstract morning scenes, footage of Eric Clapton which I filmed in Hyde Park at the Blind Faith concert in 1969. So it goes into the night, with footage of the Pink Floyd, which I found recently… We found unseen footage of Syd Barrett playing at the UFO [London’s legendary psychedelic nightclub] with the band, which is an extraordinary discovery (…) »

« Transparent Materials Through Which Light Passes. An Interview with Anthony Stern», La Furia Umana, 2014.

1 March 1967 EMI Office, London, England
A colour film showing the band in the EMI office.An archivist has contacted Glenn Povey, in 1995, to state he found a copy of this film. Rules prevented him to make a copy. A 20 seconds copy in black and white would be surfaced in the inner circle of the hard collectors.

Glenn Povey

« A close friend who works at the BBC in their «copy shop» called me with some amazing news. While reviewing several unlabeled and uncatalogued reels of film (looking for an episode of «Doctor Who» I think) he found something on the end of one - Pink Floyd signing their contract! Tules and regulations prevented him from making a copy for himself, and the film had to be returned to the BBC archives. Since their archives are still very disorganized thanks to the purges of the early 70s, this film may be as goos as last »

« Film-ography updates», Late Night Fanine, Issue 3.

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